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Rooted in house music, djhenke is an experienced DJ and producer from Sweden, with roots going back to the early 90s. With thousands of performances behind him, he has developed a strong ability to read the crowd and deliver the right energy at the right moment — always with a clear club focus where groove, dynamics and musical precision are at the core.

Whether playing nightclubs, après-ski or international clubs and beach venues, the foundation always lies in house and club music. His sets are built with a thoughtful flow, balancing energy and accessibility without compromising musical identity — from deeper house vibes to more uplifting, crossover-driven interpretations.

Internationally, djhenke has performed in destinations such as Ibiza, Magaluf, Split and Rhodes, and has been a resident DJ at Cubaneros Beach Club in Zakynthos since 2014 — delivering everything from daytime after-beach sessions to more club-focused evening sets.

In Sweden, he has been a recurring presence on the club and event scene for many years, performing across the country. During the mid-2000s, he held residencies at clubs such as Oxid, Sinners and Cream — three of the most well-known nightclubs in northern Sweden at the time. Since then, he has remained an established part of the club circuit, playing in both larger and more intimate settings, including house-driven venues like Magazinet Bar in Östersund.

He has also been part of larger event productions such as Air Festival and Sensommar Festival, where he played a role in building the energy around some of Sweden’s and the world’s biggest acts — including Steve Angello, Alesso, Martin Garrix, Zara Larsson, Galantis, Otto Knows and Icona Pop.

During the winter season, he is a recurring DJ on the Scandinavian mountain scene, with appearances in destinations such as Vemdalen and Riksgränsen — bringing his club-focused approach into broader environments and creating a more refined musical experience than the typical après-ski format.

For djhenke, it’s never about playing the most or the loudest — it’s about reading the room, building the right atmosphere and delivering sets that feel relevant, intentional and alive from the first track to the last.